PLASTIC GIRLS competing at Indie Memphis

Posted by on Nov 2, 2018 in DOCUMENTARY, Narrative, Video | No Comments

Plastic Girls at Indie Memphis Film Festival

We are incredibly honored to announce that PLASTIC GIRLS will screen in the Documentary Shorts Competition as part of the 21st edition of the INDIE MEMPHIS FILM FESTIVAL. The event takes place between the 1st and 5th of November in Memphis, Tennessee. INDIE MEMPHIS itself has been voted both as one of “The 25 Coolest Film Festivals in the World” and as one of the “50 Film Festivals Worth the Entry Fee” by MOVIE MAKER Magazine.

About Plastic Girls

PLASTIC GIRLS is the last film of a Korea related trilogy following BIKINI WORDS and LAST LETTERS. What unites the 3 films is a strong focus on issues related to space and architecture, but each film itself stands out with an individual subject matter. PLASTIC GIRLS is the most quirky out of the 3 films. The presented mannequins are unique to Korea and the film explores through them a clever way to address gender issues in Korea without flatly denouncing the society itself.

For more information about PLASTIC GIRLS please read a very thorough interview on film blog DIRECTORS NOTES, which dives into some of the ideas behind and the making of this film.

Screening Times

PLASTIC GIRLS will screen along with the A LIFE ON THE LINE by Lea Suzuki, BABY BROTHER by Kamau Bilal, BLACK 14 by Darius Clark Monroe, MIEDO DE MONOS by Michael Arcos, NORMAN NORMAN by Sophy Romvari, SALTWATER  BAPTISM by Jared Callahan & Russell Sheaffer, THE DREAMER by Manjula Varghese and THE TRAVELER TAKAMURE by Jing Niu at the following date and venue:

* Sat, Nov 3rd, 01:00 PM at Theatreworks @ The Square – 2085 Monroe Ave, Memphis TN 38104

For more information about screening times, venues and the festival in general, please visit the INDIE MEMPHIS FILM FESTIVAL website.

if … | Opening film World Congress of Architects

Posted by on Apr 11, 2018 in COMMERCIAL, Narrative, News, Promo, Video | No Comments

Being fathers of young kids ourselves, we get to see the creativity of our children up close every day. There is something precious about it. As Picasso said “Every child is an artist. The problem is how to remain an artist as we grow up.”

We felt that the best way to respond to the call for ideas from the International Union of Architects (UIA), who wanted a film to open the 2017 World Congress of Architects in Seoul, was to take the attendees back to the beginning of their own creative journeys. To take a fun look at nerdy kids, the ones who can sit for hours, even in the age of the iPad, and become engrossed in their drawings and their lego and, ok so we’re back on the screens, their Minecraft worlds. Our aim was to revisit the creative spark in it’s purest form.

We decided we could tell this story best as a kind of inquiry using talking heads interviews to lend some authority to the children’s point of view. We used these interviews along with vignettes where we took some of the kids out into the city and engaged them somehow in an architecturally related task. We were keen to include kids from different parts of the world to reflect the international make-up of the audience. Luckily Seoul has also become so much more international that we were able to find all these kids who are growing up in the city. Many of them have been in Seoul for several years, they speak Korean as well as their mother tongue and go to school with Korean kids.

Seoul as a city is also a fantastic place for architectural diversity, with a great selection of historical, traditional, functional, residential, infrastructural and contemporary constructions to explore. Thank you very much for your interest if…!

Nils Clauss & Neil Dowling from CONTENTED

MINERVA | Global Immersion: Seoul

Posted by on Feb 15, 2018 in COMMERCIAL, DOCUMENTARY, News, Promo, Video | No Comments

THE GLOBAL IMMERSION SERIES

Founded in 2014, Minerva Schools is designed around a new vision of higher education that combines a reinvented curriculum, rigorous academic standards, innovative technology, and an immersive global experience. Students study in seven different cities over the course of four years, where they engage with local civic partners to apply classroom knowledge to practical, real-world problems. The above film is part of a series directed by LA based Andrew Hida in collaboration with Minerva’s Creative Director Ayo Seligman. As part of CONTENTED, Nils Clauss and Mini Kim had the pleasure to work with Andrew and Ayo together on the Seoul instalment of this global video series.

Global Immersion: Seoul” is a short film, which highlights how classroom curriculum extends into the urban fabric and shapes their personal, professional and academic growth. As part of a broader marketing campaign a series of 60-second cuts were also produced for social media engagement.

BRIEF

The target audiences of this series are prospective students and the parents of these students who are seeking to better understand the Minerva global experience. Andrew and Ayo describe how they wanted the viewer to understand the full spectrum of daily life, from the demanding academics, to the immersive social and co-curricular activities. The goal was to make a film which quickly convinces the viewer why they belong at Minerva by telling the story of how the Minerva experience stands apart from that of the traditional university through personal stories of challenge and growth.

CHALLENGES AND RESULT

Over the course of two years, Andrew and Ayo have directed the first four short films in the Global Immersion series. Andrew says that each subsequent episode pushes deeper into stories of personal and professional development as they come into their own. Instead of replicating the same mold for each episode, the storyline instead evolves in parallel to student growth and an evolving world view. This distinct approach enabled Andrew together with Minerva to build on existing story and expand on emotional impact.

In order to achieve the authentic, cinematic documentary style that defines the Minerva brand, Minerva and Andrew say that they assembled a team of cinematographers with a strong background in visual journalism. They further note that weeks of creative design and pre-production proved essential to manage the complex timing and logistics of multiple shooters and photographers, navigating large, foreign cities.

For us at CONTENTED, it was great to take part in this great and meaningful project and we are glad that we were able to offer our services with Nils Clauss as the Director of Photography and Mini Kim as the local producer for the above film. We would like to thank Ayo, Andrew and everyone at Minerva for all their great support.

PLASTIC GIRLS | CINEQUEST Spotlight Trailer

Posted by on Feb 14, 2018 in DOCUMENTARY, Narrative, News, Video | No Comments

To pay tribute to our participation at CINEQUEST, one of the top worldwide festivals, Udo Lee, In-ah Shin and I made this short and fun spotlight trailer.

PLASTIC GIRLS has been selected as part of the 28th edition of CINEQUEST FILM & VR FESTIVAL among 1750 entries from more than 120 countries. The film will screen in the Short Film Competition at the following dates and venues:

* Sat, Mar 3, 12:25 PM at 3 Below Theaters & Lounge (formerly Camera 3 Cinemas) – 288 S 2nd St, San Jose, CA 95113
* Mon, Mar 5 8:15 PM at Century 20 Redwood City (Screen 10) – 1627, 825 Middlefield Rd, Redwood City, CA 94063
* Sat, Mar 10 10:00 AM at 3 Below Theaters & Lounge (formerly Camera 3 Cinemas) – 288 S 2nd St, San Jose, CA 95113
* Sun, Mar 11 10:45 AM at Century 20 Redwood City (Screen 11) – 1627, 825 Middlefield Rd, Redwood City, CA 94063

CINEQUEST FILM & VR FESTIVAL has been voted as “Best Film Festival (of the nation)” in a 2015 poll by the readers of USA TODAY and the HUFFINGTON POST includes CINEQUEST in a list of the “10 Best Film Festivals you’ve never heard of“.

PLASTIC GIRLS at 28th Cinequest Film Festival

Posted by on Feb 13, 2018 in DOCUMENTARY, Narrative, News, Video | No Comments

Plastic Girls at Cinequest

We are incredibly honored to announce that PLASTIC GIRLS will screen in the Short Film Competition as part of the 28th edition of CINEQUEST & VR FESTIVAL from February 27th to March 11th, 2018 in San Jose, California – the world’s most influential technology center, Silicon Valley. CINEQUEST itself has been voted as “Best Film Festival (of the nation)” in a 2015 poll by the readers of USA TODAY and the HUFFINGTON POST includes CINEQUEST in a list of the “10 Best Film Festivals you’ve never heard of“. PLASTIC GIRLS has been chosen among 1750 entries from more than 120 countries.

About Plastic Girls

PLASTIC GIRLS is the last film of a Korea related trilogy following BIKINI WORDS and LAST LETTERS. What unites the 3 films is a strong focus on issues related to space and architecture, but each film itself stands out with an individual subject matter. PLASTIC GIRLS is the most quirky out of the 3 films. The presented mannequins are unique to Korea and the film explores through them a clever way to address gender issues in Korea without flatly denouncing the society itself.

For more information about PLASTIC GIRLS please read a very thorough interview on film blog DIRECTORS NOTES, which dives into some of the ideas behind and the making of this film.

Screening Times

Along with the feature documentary PURDAH by director Jeremy Guy, PLASTIC GIRLS will screen 4 times at the following dates and venues:

* Sat, Mar 3, 12:25 PM at 3 Below Theaters & Lounge (formerly Camera 3 Cinemas) – 288 S 2nd St, San Jose, CA 95113
* Mon, Mar 5 8:15 PM at Century 20 Redwood City (Screen 10) – 1627, 825 Middlefield Rd, Redwood City, CA 94063
* Sat, Mar 10 10:00 AM at 3 Below Theaters & Lounge (formerly Camera 3 Cinemas) – 288 S 2nd St, San Jose, CA 95113
* Sun, Mar 11 10:45 AM at Century 20 Redwood City (Screen 11) – 1627, 825 Middlefield Rd, Redwood City, CA 94063

For more information about screening times, venues and the festival in general, please visit the CINEQUEST & VR FESTIVAL website.

Vimeo Staff Pick for PLASTIC GIRLS

Posted by on Jul 28, 2017 in DOCUMENTARY, News, Review, Video | No Comments

PLASTIC GIRLS has been selected as a VIMEO STAFF PICK. This totals 6 Staff Picks during the past 6 VIMEO years! So far VIMEO has been an amazing platform and I am truly thankful for all their support. Also I would like to thank everyone, who has been actively supporting me as a filmmaker. All those collaborations throughout the years have been very inspirational and taught me a hell of a lot. A big shout-out to everyone involved!

PLASTIC GIRLS. A short documentary

Posted by on Jul 26, 2017 in DOCUMENTARY, News, Review, Video | No Comments

Following BIKINI WORDS and LAST LETTERS, PLASTIC GIRLS is the last part of a Korea based trilogy with a strong focus on issues relating to space and architecture.

I not only feel that PLASTIC GIRLS complements both BIKINI WORDS and LAST LETTERS well within the trilogy, but it also stands out as a film on it’s own due to its unique subject matter and a thoughtful audio visual approach. Ranging between documentary and fiction, it addresses gender issues through a unique document that illustrates one aspect of the sexualisation of public space.

Differences in gender equality between South Korea and other places in the West are significant. Since I moved to Korea in late 2005, I have been confronted with those disparities in my day to day life. But as a foreigner, how do we and how should we address our concerns about something we personally disagree with? The longer I lived away from home, the more I started to really understand that the way a society is structured, is deeply rooted within its culture and history. In a way this is obvious. But still, as an expat it is easy to drift away from the culture you once decided to live in after encountering elements of the host country’s way of life that you find disagreeable. This insight can stop one from bashing the culture and instead lead one to be more accepting of the way society shapes people’s lives. But then by the same token, what kind of criticism can you possibly engage yourself in, if you live in a society, which is so different from your own and possibly conflicts with your beliefs?

PLASTIC GIRLS is not a film that intends to be offensive towards South Korean society or make it look like gender inequality is an issue only with regard to this nation. Despite references to Korean society and culture, I want to make more of a general statement regarding gender inequality. The sexualization of public space, which is the focus of the film, I believe, illustrates a more global tendency, which in general should be of concern. By choosing plastic mannequins as the very peculiar main subjects of the film, I intend to make the audience feel uncomfortable, but also give them enough room to reflect on the sexualisation of public space on a conceptional level rather than specifically within the context of South Korean society. It is my intention to create a certain awkwardness without being directly offensive towards anybody or by utilising national stereotypes. Even though this film is shot in Korea and references various distinct Korean public spaces, I really hope that this film speaks to an international audience and not only makes us look at gender misbalances in Korea, but allows us to reflect on how the culture produces a certain view of women in general and how we think about an on-going trend regarding a sexualisation of public space.

Thank you very much for your interest in this film!